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Dr.
James Phelps, Associate Professor of Music
and
Director of NIUCMS
James Phelps (b. 1954, Paris, Tennessee) is Associate
Professor of Music at Northern Illinois University and Director
of NIUCMS (NIU Computer Music Studios) and of the experimental/computer-music
ensemble Annex Group in DeKalb. He has renovated and updated the
existing program there to offer students opportunities with some
of the most prevalent as well as newest technologies, including
software synthesis and realtime audio processing in a Macintosh/Protools/MAX-MSP
computer music network, CD-ROM/DVD authoring and interactive and
realtime video/audio in network forums. He has instigated a guest
artist series at NIU which has featured world-class composers/performers
such as Larry Austin, Paul Lansky, Phil Winsor, Stephen Montague,
Philip Mead, Cort Lippe, Zack Settel, among others, as well as
composers-in-residence Vladimir Volkov from Ekaterinburg, Russia,
and Hu Xiao from Sichuan Conservatory of Music in Chengdu, Sichuan,
China. Phelps designed and installed two degree plans in Computer
Music and New Media Technology: a Bachelors degree in a contract
major track and a Masters degree under the Individualized Studies
Program.
Dr.Phelps' music is performed frequently in the US and abroad
at various venues, including SEAMUS and ICMA conferences, and
is distributed on the BELLA, SEAMUS, CENTAUR and THIRTEENTH labels.
He composes primarily with/for computer-music systems, such systems
often being integrated with other performance resources. Three
such works are "OperaEffects", a computer-music opera
for 8 singers, video and NeXT computer, "about Myron: a monodrama",
for bass Myron Myers and tape and "Sax Houses", for
soprano saxophone, tape and NeXT computer, the first two premiering
in Chicago and "Sax Houses" in Aarhus, Denmark. "Chordlines",
a computer music work on CD, was choreographed by South Indian
classical dancer/choreographer Siri Rama and performed at the
International Computer Music Conference in Hong Kong in August,
1996. Currently he as renewed his electric guitar "chops"
and enjoys blending various styles of music while re-exploring
the sonic world of rock, pop and other club musics. For several
years he has worked with two digital video artists, Bart Woodstrup
and Kurt Schultz, producing both fixed-media and realtime-interactive
works for various venues
representing both club and concert settings.
Recent pieces include "RickLicks", for Rickenbacker
"Hamburg" electric guitar, guitar processor and computer
music on CD (also exists with realtime-processed digital video
by Bart Woodstrup) and "Twenty Down", for the Hamburg
guitar, classical guitar and computer music on CD.
On October 20 of 2004, in celebration of Phelps' 50th birthday, THIRTEENTH Records released his newest CD entitled "Hide Wind" under the name JULULU. JULULU represents a group of artists who have only worked together, thus far, remotely: Phelps, Ms. Luo Ting-Yi (Shanghai), Bart Woodstrup (Chicago) and Mike Taylor (Chicago). In some respects JULULU is Phelps' "Plastic Ono Band" which John Lennon used to reflect various efforts, interests and people, at various times. Material found on "Hide Wind" is diverse and varies from sampled-based concrete electronic music to pop-influenced grooves.
Phelps studied with composer Dwight Gatwood at the University
of Tennessee in Martin while an undergraduate student. Specialties
included composition, theory studies, piano and harpsichord performance.
While completing an M.M. degree in music theory at the University
of North Texas he studied with Robert Ottman, Thomas Clark, Gene
Cho and Graham Phipps, among other theorists and with pianist
Stefan Bardas. His Masters thesis was a linguistic-based analysis
of late nineteenth-century harmonic practices and was directed
by
Paul Dworak.
Dr. Phelps began teaching professionally in 1980 at Brookhaven
College in Dallas where he helped design and implement one of
the country's first entirely self-paced music theory/skills programs.
During this time he performed many concerts as pianist of a guitar/piano
duo with internationally known, award-winning guitarist, Carlo
Pezzimenti. After their debut at Carnegie Hall in 1982 the duo
recorded an album together entitled "Pezzimenti Plays Tedesco"
on the ELBA label. The relationship continues into the 21st century
with the duo performing original works by Phelps.
In 1985 Phelps began work toward the D.M.A. degree in composition
at UNT where he studied with Larry Austin, Phil Winsor, Thomas
Clark and Cindy McTee and was awarded a four-year teaching fellowship.
His emphases were computer music and various styles of theoretical
analysis. There he produced many concerts of his music in the
Merrill Ellis Intermedia Theatre of CEMI. His dissertation was
"Computer Simulacra" for instrumental ensemble and computer
music on tape.
Phelps is a member of ICMA, SEAMUS and Sonic Arts Network. While
serving on the Board of SEAMUS he designed, installed and maintained
SEAMUS' first FTP and Web Site.
He has also held an Advanced Class Amateur Radio Operators license
since the age of 15, is a Beatles aficionado and spends as much
time as possible in the flavorful, colorful Indian/Pakastani neighborhoods
of Chicago.
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